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记得第一次看到丰子恺先生这幅《人散后，一钩新月天如水》，就喜欢得不得了，然后就总是把它带在身边。它是一幅很小的印刷品，是从杂志中裁下来的，其实就是一张薄薄的画片。 I remember the first time I saw Mr. Feng Zikai's painting "when people are scattered, a new moon is like water". I liked it very much, and then I always took it with me. It's a very small print, cut from a magazine. It's actually a thin picture. 喜欢它体现出的中国文化中那种虚静的时空观，一壶茶与已散去了的友朋，卷起的芦帘和屋外的月色，有着李泽厚先生所言的禅的意味：“对时间的某种顿时的神秘领悟，即所谓‘永恒的瞬刻’或‘瞬刻即可永恒’这一直觉感受。”从喧闹繁华的大街中回到自己栖居的小屋，从疲惫而又烦躁的文字操作中停下来，看见它，我便会沉静下来，面对它真是有一种在瞬间的直观中获得万古长空般的永恒之感。 I like the empty and quiet view of time and space in Chinese culture reflected in it. A pot of tea and friends that have disappeared, rolling up the reed curtain and the moonlight outside the house have the meaning of Zen as Mr. Li Zehou said: "a sudden mysterious understanding of time, that is, the so-called" eternal moment "or" instant can be eternal "has always been felt." From the noisy and bustling streets to the cottage where I live, from the tired and fidgety text operation to stop, see it, I will calm down, in the face of it, there is a real sense of eternity in the moment of intuition. | 
