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小时候，曾学过很长时间的简笔画，画过的物品各式各样，头像只画过两个：一个是大眼睛的小姑娘，另一个是嘴上有着“一”字胡的瘦削的中年人。 When I was a child, I used to learn a long time of simple strokes. I drew a variety of objects. There were only two head portraits: one was a girl with big eyes, the other was a thin middle-aged man with a "I" character on his mouth. 那时候并不知道这个中年人的侧面像画的是鲁迅，只知道他的胡子很像一个隶书的“一”，如果把“一”字画得直一些，圆满一些．老师就会用红笔在下边批一个挺高的分数。于是便整天练着画中年人的胡子，精雕细刻地描画着一个个“一”。 At that time, I didn't know that Lu Xun painted the profile of this middle-aged man. I only knew that his beard was very similar to the "one" in official script. If I drew the "one" straightly and perfectly, the teacher would use a red pen to mark a high score. So he practiced painting the beard of middle-aged people all day long, elaborately depicting one by one. 后来读了《一面》，就在每次画画的时候，将中年人的嘴角画得翘起来，很夸张的样子。因为我猜他是喜欢孩子的，会对我笑。每每有人看了这样的画，都不相信画的是鲁迅，信了的就怪怪地看着我，然后一言不发地走掉。“他经常骂人的，很严肃。”另一些人笑嘻嘻地说，纠正我的错误。于是我就抱起画册，一言不发地走掉。 | 
