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Books and Arts;Artists and photographers;Point and paint 文艺;书评;艺术家和摄影师;瞬间与永恒; Alongoverduestudyoftheinfluenceearlyphotographyhadonpainting; 早期摄影对绘画的影响，一项迟来的研究; I have all my subjects to hand, Pierre Bonnard, a French post-impressionist painter, once wrote. I go to see them. I take notes. Then I go home. And before I start painting I reflect, I dream. At the turn of the 19th century, the notes Bonnard made included snapshots that he took with his flexible hand-held Kodak camera, which had first been introduced in 1888. 我手头上有全部素材，法国后印象主义画家皮埃尔波纳尔曾经写道。我去采风。做记录。然后回到家。开始作画前我会在脑中回想，让思绪放飞。在19世纪之交，柯达推出第一台相机，这里波纳尔所说的记录就包括用轻巧便携的柯达相机拍的快照。 Unhampered by hefty equipment or long exposures, Bonnard and his fellow painters from the Nabi group, Edouard Vuillard and Flix Vallotton, were among the first artists to use the camera toobserve fine details, perspectives and light effects too fleeting to see with the naked eye. Apainstakingly curated new show juxtaposes 220 mostly unpublished vintage snapshots by seven fin-de-sicle artists along with their paintings, prints and drawings in an effort todemonstrate how this new way of seeing inspired and expanded the painters creative vision. | 
