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[文学类] 题目序号 题型归类 第1题 中心主旨题型 第2题 审题定位与反推题型 第3题 全文归纳推导题型 第4题 写作手法题型 第5题 例(举)证题型 Roger Rosenblatts book Black Fiction, in attempting to apply literary rather thansociopolitical criteria to its subject, successfully alters the approach takenby most previous studies. As Rosenblatt notes, criticism of Black writing hasoften served as a pretext for expounding on Black history. Addison Gayles recent work, for example, judgesthe value of Black fiction by overtly political standards, rating each workaccording to the notions of Black identity which it propounds. Although fiction assuredly springs from political circumstances, itsauthors react to those circumstances in ways other than ideological, andtalking about novels and stories primarily as instruments of ideologycircumvents much of the fictional enterprise. Rosenblatts literary analysis disclosesaffinities and connections among works of Black fiction which solely politicalstudies have overlooked or ignored. Writing acceptable criticism of Black fiction, however, presupposesgiving satisfactory answers to a number of questions. First of all, is there asufficient reason, other than the facial identity of the authors, to grouptogether works by Black authors? Second, how does Black fiction make itselfdistinct from other modern fiction with which it is largely contemporaneous?Rosenblatt shows that Black fiction constitutes a distinct body of writing thathas an identifiable, coherent literary tradition. Looking at novels written byBlack over the last eighty years, he discovers recurring concerns and designsindependent of chronology. These structures are thematic, and they spring, notsurprisingly, from the central fact that the Black characters in these novelsexist in a predominantly white culture, whether they try to conform to thatculture or rebel against it. | 
