|
我们在新GRE写作中要格外重视思维逻辑与论据论证，平时注意积累素材，多收集一些新GRE写作论据论证例子。下面是小编为大家搜集的关于达芬奇的名人素材，希望能够帮助大家更好地备考新GRE写作，获得新GRE写作高分。 da Vinci, Leonardo 1452 -- 1519 Painter, sculptor, inventor. Born April 15, 1452 near the village of Vinci, Italy. He was the illegitimate son of Ser Piero da Vinci, a prominent notary of Florence, who had no other children until much later. Ser Piero raised his son himself, a common practice at the time, arranging for Leonardos mother to marry a villager. When Leonardo was 15, his father apprenticed him to Andrea del Verrocchio, the leading artist of Florence and a characteristic talent of the early Renaissance. A sculptor, painter, and goldsmith, Verrocchio was a remarkable craftsman, and his great skill and passionate concern for quality of execution, as well as his interest in expressing the vital mobility of the human figure, were important elements in Leonardos artistic formation. Indeed, much in Leonardos approach to art was evolutionary from tradition rather than revolutionary against it, although the opposite is often true of his results. After completing his apprenticeship, Leonardo stayed on as an assistant in Verrocchios shop, and his earliest known painting is a product of his collaboration with the master. In Verrocchios Baptism of Christ , Leonardo executed one of the two angels, a fact already recorded in the 16th century, as well as the distant landscape, and he added the final touches to the figure of Christ, determining the texture of the flesh. Collaboration on a major project by a master and his assistant was standard procedure in the Italian Renaissance. What is special is that Leonardos work is not, as was usual, a slightly less skilled version of Verrocchios manner of painting but an original approach altering it. It completely possesses all the fundamental qualities of Leonardos mature style and implies a criticism of the early Renaissance. By changing hard metallic surface effects to soft yielding ones, making edges less cutting, and increasing the slight modulations of light and shade, Leonardo evoked a new flexibility within the figures. This soft union, as Giorgio Vasari called it, is also present in the special lighting and is emphatically developed in the spiral turn of the angels head and body and the vast depth of the landscape. | 
