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The essence of this light is Shri Lakshmi-arising, at the beginning of time, out of the waters at the churning of the Milky Ocean by gods and demons for a thousand years. Regarded as the goddess of love, beauty and prosperity, Lakshmi, Kamla or Padma (Sanskrit words for lotus), the beloved consort of Vishnu, along with the dearly loved pot-bellied, elephant headed, auspicious god of the Hindu theogony, Siri Ganesha, is a presiding deity of the festival of lights. They are worshipped in every household so that the year may be full of prosperity. Throughout the night a lamp is kept burning before her image so that she may continue to dwell in the house and bestow upon it the wealth of life. 'Dipavali' means a row of lights ('Diwali' is simply a corrupt form of it) and the festival is so called because of the illuminations that mark the celebrations. Every Hindu home, rich or poor, it given a spring cleaning a few days prior to the auspicious day, whitewashed and adorned in a festive way. Rows of little earthen lamps illuminate terraces and gardens, walls and courtyards, outer and inner precincts of a temple or a palace. That it was so from ancient times is borne by kings and travelers who have recorded the celebrations. King Harsha described it as 'Dipapratipadotsava' and King Bhoja calls it 'Sukharati' (happy night) and describes how Lakshmi was venerated and worshipped at dusk and lamps lit in her honour on roadsides and river banks, on hill and tree, in home and temple. To Jimutavahana it was the 'vow of a happy night' (Sukharatrivarta') | 
